{"id":6590,"date":"2017-09-07T15:38:27","date_gmt":"2017-09-07T14:38:27","guid":{"rendered":"http:\/\/meilinbristiel.com\/leblogdemeilin\/?p=6590"},"modified":"2019-11-24T17:09:20","modified_gmt":"2019-11-24T16:09:20","slug":"prune-noury-musee-guimet","status":"publish","type":"post","link":"https:\/\/meilinbristiel.com\/leblogdemeilin\/art\/prune-noury-musee-guimet\/","title":{"rendered":"Prune Noury @ Musee Guimet"},"content":{"rendered":"

The artist Prune Noury was invited to show a retrospective of her work in the Musee Guimet, Paris’ Asian Arts Museum.\u00a0<\/p>\n

Her stunning and powerful pieces where shown dialoging with\u00a0the museums’ regular exhibition:\u00a0Holy daughters and Holy river, queries the place of girls in India today; Terracotta daughters recalls the faith of millions of aborted girls in China’s during the one child policy period.<\/p>\n

A specific installation of gigantic Buddha parts created for this exhibition, \u00ab\u00a0La destruction n’est pas une fin en soi\u00a0\u00bb was reminiscent of the \u00ab\u00a0Imbalance\u00a0\u00bb serie where an accumulation of acupuncture needles seems to be not yet enough to imbalance the current state of world affairs, whether it be ecological or economical.\u00a0<\/p>\n

 <\/p>\n

Yaksha, Inde, uttar Pradesh, 1e-2e si\u00e8cle – \u00ab\u00a0Holy Daughter\u00a0\u00bb, Prune Noury, 2010<\/p>\n

\"IMG_7002\" \"IMG_7001\" \"IMG_6999\" \"IMG_6998\"<\/p>\n

Bouddha, Inde, Uttar Pradesh, 5e s. – \u00a0Standing Holy Daughter, Prune Noury, 2010<\/p>\n

\"IMG_7008\"\"IMG_7006\"<\/p>\n

Divinite feminine, Inde, Rajasthan, 10e si\u00e8cle – \u00a0Fertility, Prune Noury, 2010<\/p>\n

\u00a0\"IMG_6906\"<\/p>\n

Bhaivara, forme terrible de Shiva, Inde, Tamil Nabu, 10-11e siecle \u00a0– Prune Noury, reflective gloves, 2012<\/p>\n

\"IMG_6901\"<\/p>\n

Bodhisattva Avalokitesvara, Vietnam – \u00ab\u00a0Transfusion\u00a0\u00bb, Prune Noury, 2012<\/p>\n

\"IMG_6899\" \"IMG_6897\" \"IMG_6894\"<\/p>\n

Knife, 1er si\u00e8cle Av JC, Vietnam – Hand Machine, Prune Noury, 2012<\/p>\n

\"IMG_6892\"\u00a0<\/p>\n

Shiva, Art Mon de Dvaravati, 8e s. – Gange’s Life Line, Prune Noury, 2012<\/p>\n

\u00a0\"IMG_6913\" \u00a0<\/p>\n

\"IMG_6911\"<\/p>\n

Divinite feminine, Style Angkor Vat, Cambodge, 12e s. – Walking Holy Daughter, Prune Noury, 2010<\/p>\n

\"IMG_6885\"<\/p>\n

\"IMG_6883\"\"IMG_6916\" \"IMG_6884\" \u00a0<\/p>\n

Trois porteuses d’offrandes, Dynastie Sui, Chine du Nord, 7e s. – Terracotta Duaghters, Prune Noury<\/p>\n

\"IMG_6931\"\u00a0\u00a0\u00a0\"IMG_6928\"<\/p>\n

Chinese terracotta figure – Terracotta Daughters, Prune Noury, 2013<\/p>\n

\"IMG_6962\"<\/p>\n

\"IMG_6958\"<\/p>\n

\"IMG_6957\" \"IMG_6955\" \"IMG_6954\" \"IMG_6953\" \"IMG_6952\"\u00a0\u00a0\"IMG_6945\"\u00a0<\/p>\n

Bouddha head, Adds, Afghanistan, 3-4e s. –\u00a0Terracotta Daughters, # 1 Haoping (head), Prune Noury, 2013<\/p>\n

\"IMG_6940\" \"IMG_6939\"<\/p>\n

\"IMG_6941\"<\/p>\n

Homage to Mother-in-law, Process, Prune Noury, 2012\u00a0<\/p>\n

\"IMG_6980\"<\/p>\n

Guardian-King, Silla Kingdom, 9e s. – Mini Terracotta daughter Tube #2 Pan, Prune Noury, 2013<\/p>\n

\"IMG_6990\"<\/p>\n

\"IMG_6988\"<\/p>\n

\"IMG_6987\"<\/p>\n

Cihuateteo (Mask), Project Porcess, Prune Noury, 2014<\/p>\n

\"IMG_6992\"<\/p>\n

15. Masque de N\u00f4: Zo Omna, Japon, \u00e9poque Edo (1603-1868) –\u00a0Prune Noury, Head of Terracotta Daughter #5 Yue (Mold), Project Process, 2013<\/p>\n

\"IMG_6996\"<\/p>\n

\"IMG_6994\"<\/p>\n

La destruction n’est pas une fin en soi 1\/5,\u00a0Prune Noury, 2017<\/p>\n

\"IMG_7010\"<\/p>\n

La destruction n’est pas une fin en soi 2\/5,\u00a0Prune Noury, 2017<\/p>\n

\"IMG_6968\"<\/p>\n

\"IMG_6923\"<\/p>\n

La destruction n’est pas une fin en soi 3\/5, Prune Noury, 2017<\/p>\n

\"IMG_6933\"<\/p>\n

La destruction n’est pas une fin en soi 4\/5, Prune Noury, 2017<\/p>\n

\"IMG_6986\"<\/p>\n

La destruction n’est pas une fin en soi 5\/5, Prune Noury, 2017<\/p>\n

\"IMG_6971\" \"IMG_6970\" \"IMG_6969\"<\/p>\n

Installation inside the \u00ab\u00a0head\u00a0\u00bb<\/p>\n

\"IMG_6976\"\"IMG_6974\"<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

The artist Prune Noury was invited to show a retrospective of her work in the Musee Guimet, Paris’ Asian Arts Museum.\u00a0 Her stunning and powerful pieces where shown dialoging with\u00a0the museums’ regular exhibition:\u00a0Holy daughters and Holy river, queries the place of girls in India today; Terracotta daughters recalls the faith of millions of aborted girls […]<\/p>\n","protected":false},"author":2,"featured_media":6515,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ngg_post_thumbnail":0,"footnotes":""},"categories":[5,7],"tags":[623,365,624,622,621],"class_list":["post-6590","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-culture","tag-asian-art","tag-contemporary-art","tag-feminicide","tag-musee-guimet","tag-prune-noury"],"_links":{"self":[{"href":"https:\/\/meilinbristiel.com\/leblogdemeilin\/wp-json\/wp\/v2\/posts\/6590","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/meilinbristiel.com\/leblogdemeilin\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/meilinbristiel.com\/leblogdemeilin\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/meilinbristiel.com\/leblogdemeilin\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/meilinbristiel.com\/leblogdemeilin\/wp-json\/wp\/v2\/comments?post=6590"}],"version-history":[{"count":0,"href":"https:\/\/meilinbristiel.com\/leblogdemeilin\/wp-json\/wp\/v2\/posts\/6590\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/meilinbristiel.com\/leblogdemeilin\/wp-json\/wp\/v2\/media\/6515"}],"wp:attachment":[{"href":"https:\/\/meilinbristiel.com\/leblogdemeilin\/wp-json\/wp\/v2\/media?parent=6590"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/meilinbristiel.com\/leblogdemeilin\/wp-json\/wp\/v2\/categories?post=6590"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/meilinbristiel.com\/leblogdemeilin\/wp-json\/wp\/v2\/tags?post=6590"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}