True pioneers of modern décor, Bonnard, Vuillard, Maurice Denis, Sérusier, Ranson and Vallotton defended an art relating directly to life. They created original, joyous and rhythmic works, intended to decorate contemporary interiors in reaction against the aesthetics of historical pastiche that were in vogue at the end of the 19th century.
The decorative arts of the Nabis are a specific experience of total art, based on breaking down the boundaries of technique.
Responding most often to commissions from friends and patrons close to the group, they took themes familiar to artists such as the association of women with nature, inwardness and spirituality. Driven by the desire to create an art accessible to all, the Nabis innovated in the fields of tapestry, wallpaper, stained glass and ceramics. Their creations, remaining as prototypes, are part of the movement of decorative renewal defended and popularised in France by Siegfried Bing. Most of the decorative panels of the Nabis have been dispersed over time.
The ambition of the exhibition is to reconstitute as completely as possible some of the major collections they produced. But it has become impossible to show their original hangings in the absence of documents or photographs.
Maurice Denis, Femmes assises a la terrasse, 1891
Pierre Bonnard, Femmes au jardin, 1891
Edouard Vuillard, Jardins publics, 1894
Maurice Denis, Arabesque poetique, 1892
Edouard Vuillard, L’intimité
Maurice Denis, Les colombes, 1893, wallpaper project
Maurice Denis, Les trains, 1893, wallpaper project
Maurice Denis, Les canards, 1893, wallpaper project
Paul Serusier, Femmes a la source 1899
Maurice Denis, Detail of « La legend de Saint Hubert », large decor for a room, 1895
Maurice Denis, La farandole, 1895
Ker-Xavier Roussel, La terrasse, 1892